RESEARCH STATION
ARTISTS' TALKS & VIDEOS
Rebecca Belmore
Artifact #671B (a protest in support of the Lubicon Cree), 1988,
Definitely Superior Art Gallery / Thunder Bay Indian Friendship
Centre, Thunder Bay, Ontario
[www.rebeccabelmore.com/performances.html]
Andrea Fraser
The Power Plant (Toronto) presented Andrea Fraser as part of
the gallery’s International Lecture Series on 22 November 2006
[www.thepowerplant.org/SwitchOn/Video-Room.aspx]
Walid Raad
Artist Talk: Walid Raad, Walker Art Center, October 25, 2007
[www.walkerart.org/channel/2007/artist-talk-walid-raad]
Terre Thaemlitz
\Viva McGlam? Is Transgenderism a Critique of or Capitulation to
Opulence-Driven Glamour Models? Originally published in The
Future has a Silver Lining: Geneologies of Glamour, ed. by Tom
Holert and Heike Munder, (Zürich: Migros Museum für Gegenwartskunst/
JRP Ringier, 2004)
[www.comatonse.com/writings/vivamcglam.html]
HOW ARE WE PERFORMING TODAY, Symposium, MoMA
KEYNOTE ADDRESS (joint presentation)
Judith Butler, Professor of Rhetoric and Comparative Literature and
Co-Director of the Program of Critical Theory, University of California, Berkeley
Shannon Jackson, Professor of Rhetoric, Arts, and Humanities, University of California, Berkeley
Butler/Jackson begin to speak at 26:00 minutes into the video and their lecture lasts about 60 minutes
[http://www.livestream.com/museummodernart/video?clipId=pla_dabaf0ce-4d86-4576-b6f0-1737a7695963]
The History of Exhibitions: Beyond the Ideology of the White Cube
Part one
[http://www.macba.cat/en/the-history-of-exhibitions-beyond-the-ideology-of-the-white-cube-part-one]
Part two
[http://www.macba.cat/en/the-history-of-exhibitions-beyond-the-ideology-of-the-white-cube-part-two]
VOX Centre de l'image contemporaine, Montréal
Discussions, Performances, Films : Something to Do Something to Say,
December 12 - 15, 2012.
[http://www.voxphoto.com/english/vox/evenements/decembre_2012.html]
IF I CANT DANCE I DONT WANT TO BE PART OF YOUR REVOLUTION
Curatorial Collective based in Amsterdam, Netherlands
"If I Can’t Dance defines its way of working as ‘contemplation, interrupted by action’,
a quote borrowed from artist Hanne Darboven, who typified her practice as such.
Each edition is an ongoing process of research – of ‘contemplation’ – segmented
by moments of presentations at the subsequent venues enabling public exchange –
opportunities for ‘action’."
[http://www.ificantdance.org/About/00-IfICantDance/About]
RECOMMENDED READINGS
Anderson, Jane. (2013). Anxieties of Authorship in the Colonial Archive. In C. Chris and D, Gerstner (Eds), Media Authorship, pp. 229-246. New York: Routledge.
[http://www.andersonip.info/PDF/Anxieties.pdf]
Auslander, Philip. (2006). "The Performativity of Performance Documentation." In Barbara Clausen and Nina Krick (Eds), After the Act: The (Re)Presentation of Performance Art. Nürnberg: Verlag Moderner Kunst; Vienna: MUMOK.
[http://lmc.gatech.edu/~auslander/publications/28.3auslander.pdf]
Baggett, Holly A. (Ed). (2000). Dear Tiny Heart: The Letters of Jane Heap and Florence Reynolds. New York: NYU Press.
[http://muse.jhu.edu/books/9780814723005]
Bergholtz, Frédérique (Ed). (2011). Conversation Pieces. If I Can’t Dance / Revolver: Berlin.
[http://www.ificantdance.org/Publications/ConversationPieces]
Blazwick, Iwona, Andrea Fraser et Susan Cahan, & al. (1997). “Serving Audiences”. October, n° 80, Spring, p. 128 – 139.
Deepwell, Katy (Ed). (1998). Women Artists and Modernism. Manchester: Manchester University Press.
Deutsche, Rosalyn. (1988). “Uneven Development, Public Art in New York City”. October, n° 47, Winter, p. 3 – 52.
Diederichsen, Diedrich. (2010). “Audio Poverty”. e-flux journal, No. 16, pp. 1-10.
Dreier, Katherine. (1923). Western Art and the New Era: An Introduction to Modern Art. New York: Brentano's.
[https://archive.org/stream/westernartnewera00drei#page/4/mode/2up]
Elliott, B.J. and Wallace, Jo-Ann. (1994). Women Writers and Artists: Modernist (Im)Positionings. New York: Routledge.
Fer, Briony. (1999). “Objects beyond Objecthood”. Oxford Art Journal, Vol. 22, No. 2, pp. 27-36.
Fraser, Andrea. (2005). “From the Critique of Institutions to an Institution of Critique”. ARTFORUM International, Sept, p. 100 - 105.
[http://www.marginalutility.org/wp-content/uploads/2010/07/Andrea-Fraser_From-the-Critique-of-Institutions-to-an-Institution-of- Critique.pdf]
Gere, Charlotte, and Vaizey, Marina. (1999). Great Women Collectors. New York: Henry N. Abrams.
Goodman, Dena. (1989). "Enlightenment Salons: The Convergence of Female and Philosophic Ambitions." Eighteenth-Century Studies, Spring, Vol 22, No. 3, p. 329 - 250.
Griffin, Gabriel (Ed). (1994). Difference in View: Women and Modernism. Bristol, PA: Taylor and Francis.
[http://books.google.ca/books?id=B2tqdmUTPToC&printsec=frontcover#v=onepage&q&f=false]
Jones, Amelia. (1997). “Presence in Absentia: Experiencing Performance as Documentation”. Art Journal, Vol. 56, No. 4, pp. 11-18.
[http://art.usf.edu/File_Uploads/Presence.pdf]
Jones, Caroline. (2010). “Staged Presence: On Performances and Publics“. ARTFORUM International, Summer, 12 p.
Letters between Pawel Freisler, Antje Majewski, Simon Starling, Rasmus Nielsen & others. (2010-2011). The Black Ball, The Egg. Malmö, Berlin, Copenhagen, and Graz.
[http://www.antjemajewski.de/WORK/all_things/freisler02.html]
Levine, Amy K. (2010). Gender, Sexuality, and Museums. New York: Routledge.
[http://books.google.ca/books?id=4As60fgj8EwC&printsec=frontcover#v=onepage&q&f=false]
Mamoli Zorzi, Rosella. (2001). Before Peggy Guggenheim: American Women Art Collectors. Venezia: Marsilio.
Molesworth, Helen. (2010). "How to Install Art as a Feminist." In Cornelia Butler and Alexandra Schwartz (Eds), Modern Women: Women Artists at the Museum of Modern Art. New York: MoMA.
Nelson, Lise. (1999). “Bodies (and Spaces) do Matter: the limits of Performativity”. Gender, Place and Culture : A Journal of Feminist Geography, Vol. 6. No. 4, pp. 331 – 353.
Pollock, Griselda. "The Missing Future: MoMA and Modern Women." In Cornelia Butler and Alexandra Schwartz (Eds), Modern Women: Women Artists at the Museum of Modern Art. New York: MoMA.
[http://books.google.ca/books?id=WTvfzdpTyuUC&pg=PT15&lpg=PT15&dq=the+missing+future+moma+and+modern
+women&source=bl&ots=Ro6Omp8Vci&sig=-LSFbkp-AKK64yn8_7_jXCnESz4&hl=en&sa=X&ei=-A6qUoXRDayayQHf4I HIBg&ved=0CDwQ6AEwAw#v=onepage&q&f=false]
Pollock, Griselda. (2007). Encounters in the Virtual Feminist Museum: Time, Space, and the Archive. New York: Routledge.
[http://elsanknu.pbworks.com/f/(12-12)+Questions+of+feminist+method+(with+image).pdf]
Rebentisch, Juliane. (2012). “Installation and intervention“. In Aesthetics of Installation Art. New York: Sternberg Press, p. 251-275.
Reist, Inge, and Mamoli Zorsi, Rosella. (2011). Power Underestimated: American Women Art Collectors. Venezia: Marsilio.
Régimbald-Zeiber, Monique. (2008). Elsa, Ida, Vilma et les autres. In Éclats de Rome (3 p). Montréal: Galerie de l'UQAM.
Régimbald-Zeiber, Monique. (2005). Itinéraire de Délestage (37 p). Booklet of L'Image Manquante. Montréal: Les petits carnets et Galerie de l'Uqam.
Régimbald-Zeiber, Monique. (2003). Lettre. In Françoise Sullivan, la peinture à venir (7 p). Montréal: Les petits carnets.
Régimbald-Zeiber, Monique. (2000). La Belle Lurette. In Textura (14 p). Montréal: La Centrale.
Rhodes, Lis. LIGHT READING. Dialogue List from the film.
Scott, Bonnie Kime (Ed). (2007). Gender in Modernism: New Geographies, Complex Intersections. Urbana: Univeristy of Illinois Press.
Scott, Bonnie Kime. (1996). Refiguring Modernism, Volume 1: Women of 1928. Bloomington, IN: Univeristy of Indiana Press.
[http://books.google.ca/books?id=6KsI_bx-obMC&printsec=frontcover#v=onepage&q&f=false]
Scott, Joan W. (1991). The Evidence of Experience. Critical Inquiry, Vol. 17, No. 4, pp. 773-797.
[http://conceptsinsts.wikispaces.com/file/view/Joan+Scott+Experience.pdf]
Smith, Andrea. (2005). Sexual Violence as a Tool of Genocide. In Conquest: Sexual Violence and the American Indian Genocide (pp. 31-51). Cambridge, MA: South End Press.
Stein, Gertrude. (1926). "Composition as Explanation." London: Hogarth Press.
[http://www.poetryfoundation.org/learning/essay/238702]
Stein, Gertrude. (1935). "Pictures." In Lectures in America. New York: Random House.
[http://quod.lib.umich.edu/g/genpub/afb0876.0001.001/59?page=root;size=100;view=image]
Tiqqun. (2012). Preliminary Materials for a Theory of a Young Girl. Translated by Ariana Reines. New York: Triple Canopy; Los Angeles: Semiotext(e). (see also the translator’s introduction on the publisher’s website)
[http://canopycanopycanopy.com/16/preliminary_materials_for_a_theory_of_the_young_girl]
T.B.C.